…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
Tribute: “The woman in rebetiko and folk song”. Organized by the General Secretariat for Gender Equality and the Equality Research Center. With the bouzouki solist Spyros Goumas and the “Parapetamenoi”. Wednesday, March 9, 2016, “Aliko” cultural center at Psiri Square.
Concert of the 11th high school-Nikaia with the participation of the dancing group, the choir of the same school as well, with the supervision of
Tribute entitled “Rebetika of War and Occupation”. In October 2019 and 2020 at the Multicultural Center “Dieleusis” was held a Tribute entitled “Rebetika of War
In January 2019, a tribute was realized for Yiannis Papaioannou entitled ” I travel with your taximi!” at the Greek Music Center “Fivos Anogianakis”. Collection
Tribute to the great folk composer Dimitris Gogos-Bayanderas. March 20, 2016 Saint Paul Greek-French School in Piraeus. Collection of material and presentation: Katerina Vlachou, music
At the portokaliradio program “Memories of Sounds” 4-2-2016 Kostas Giannakopoulos hosted George Makris on the occasion of the event “Footprints of rebetiko in Piraeus neighborhoods”.
Interview on “Rebetika of War and Occupation” by George Kousis in press publica October 25, 2018 and October 22, 2019 View the full interview here
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.