…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
A musical journey on Greek Urban popular song: Rebetiko, Smyrna song and related Genres. Organized by Tomer Katz for a group of Israel. With live music by solist Spiros Goumas and the rebetiko ensemble “Parapetamenoi” (neglected ones). December,4 2015 “ARION” Hotel, Athens Greece.
A full-length interview on the activities of “Parapetamenoi” given by George Makris in the e-magazine of the POLITISMOS website – MUSEUM OF GREEK HISTORY active
Music events March 10, 2013 and September 20, 2013 in collaboration with the Egaleo Municipal’s Philharmonic, the Choir and the Dance Group of the Hellenic
Presentation of the music group of “Parapetamenoi” and live recording in the music bar “Makari”. TVC (private TV channel) 27/1/2005. in the program of George
Radio interview of George Makris of “Parapetamenoi” at “105.5 on red” 22-11-2019 by Thanasis Lazaridis on the radio program “The remains of a Day”.
Tribute entitled “Rebetika of War and Occupation”. In October 2019 and 2020 at the Multicultural Center “Dieleusis” was held a Tribute entitled “Rebetika of War
“Opou Giorgos ke malama” A theatrical-musical performance dedicated to the poet-composer George Mitsakis in a dramaturgical treatment by George Makris based on the book “George
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.